Company Members

Artistic Director

Elba Hevia y Vaca was born in La Paz, Bolivia, where she studied classical Spanish dance from the ages of five to fourteen, when she became enthralled by the power of flamenco.

While attending college in Washington, D.C., Hevia y Vaca studied and danced with master dancer Ana Martinez of the Ana Martinez Flamenco Dance Company, which has toured nationally and internationally. Later, Hevia y Vaca danced with Washington’s Raquel Peña Spanish Dance Company, appearing as a soloist at various venues throughout the U.S., most notably the Kennedy Center. After finishing college, Hevia y Vaca moved to Philadelphia, where she took up the study of various other forms contemporary dance and soon became a member of Flamenco Olé.

In 1999, Hevia y Vaca founded Pasión y Arte out of a strong and intensely personal conviction that highly stylized traditionally Spanish flamenco dance is the perfect vessel to empower women. Through the art of flamenco – music, dance, deep song, as well as the visual arts and other related art forms – Pasión y Arte’s programs reflect the rich artistic heritage of the South of Spain and explore deep themes.

Since its inception, Hevia y Vaca has served as the company’s Artistic and Executive Director. Under her visionary guidance, Pasión y Arte has achieved widespread notoriety for its unique dance forms that are simultaneously steeped in tradition and sometimes perilously avant-garde. Because of her unique talent, Hevia y Vaca is regularly commissioned to choreograph new works for dance and theatre companies.

Hevia y Vaca continues her study of the flamenco tradition, traveling to Spain each year to learn from such renowned masters as Pilar Ortega, Alejandro Granados, Yolanda Heredia, Alicia Marquez, Belen Maya, La Tati, Carmela Greco and Ciro. She also frequently studies with New York-based masters La Meira and Nelida Tirado.

In addition to continuously striving to deepen and expand her understanding of flamenco, Hevia y Vaca maintains a busy teaching schedule. In January 2007, she opened the Pasión y Arte Conservatory in Philadelphia (See Instruction page for details.) Besides running the Conservatory, Hevia y Vaca conducts master classes and lectures on flamenco history and philosophy, and role of the women in flamenco at area community centers and universities. She is an Adjunct Professor at Franklin and Marshall College, where she teaches two levels of Flamenco Dance every Fall Semester.

Hevia y Vaca has received several grants from Dance Advance (a program funded by The Pew Charitable Trusts and administered by The University of the Arts), the Pennsylvania Council on the Arts, and the Leeway Foundation. Thanks to Hevia y Vaca, Pasión y Arte is a proud member of the Pennsylvania Performing Artists on Tour, representing Pennsylvania’s artistic excellence to audiences in the U.S. and abroad.

Dancers

 

Eva Arriaga
Arriaga started dancing at the age of five, learning Classical Spanish Dance and Music at the Conservatory of Music and Dance of Cordoba, Spain. Later she studied ballet, and jazz and modern dance with the Imperial Society of Teachers of Dance in London for many years. In 1983, she performed with the Jazz Dance Ballet Yasaya under Bob Nikko 's direction on the Costa del Sol. After moving to the United States, in 1990 she became a soloist for the Philadelphia Opera Theater’s production of Bizet's Carmen. She performed for ten years with Philadelphia’s Flamenco Olé, where she was the Classical Spanish Dance soloist. At various times she has studied Flamenco and Classical Spanish Dance with Julia Lopez, Luis Montero, Tona, Maruja Caballero, Paco Romero, Maria Magdalena, Carmela, and others.

http://www.evaarriaga.com/

Jenny Bascos
Bascos has studied with Jose Molina, La Meira, Omayra Amaya, Joaquin Enciqas and Andrea del Conte in New Mexico and New York and with Juana Amaya, Alejandro Granados and La China in Seville, Spain. She has performed with Maria Benitez's Teatro Flamenco at the Joyce Theater, Pasión y Arte at the Fringe Festival and Feria de Seville in Philadelphia, Flamenco Latino at the Duke, and in Zeferrelli's productions of “Carmen” and “La Travita” at the Metropolitan Opera. She has been a soloist with the Tri-Cities Opera's production of “Carmen” in Binghamton, New York. In 2001, together with Gregory de Silva, Jenny co-founded and is currently the co-artistic director of Moro Flamenco, which is a modern, avant-garde, improvisational, New York-styled flamenco dance theater company.

http://www.esflamenco.com/bio/en11920.html

 

Glenda Sol Koeraus
Glenda Sol Koeraus was born in Buenos Aires, Argentina. Sol has danced flamenco since the age of 15, her grandmother being a strong influence.
Sol brought her love for flamenco to the United States and has performed with many renowned artists, such as La Meira, Carmen La Salao, Jorge Navarro, The Citron Brothers, Pilar Andujar, Hernan Romero and Nelida Tirado.

She has continued her studies in the US with Nely Tirado, La meira, La China, Jorge Navarro, Omayra Amaya and Soledad Barrio. While in Spain she studied with Belen Maya and La Mora. She also works for Queen Dance Incorporated and has conducts workshops for school children of all ages and throughout the boroughs of NYC. She is currently involved in art in education programs in the arts in education concerts. She currently dances in the major tablaos in New York City area and is a member of Andrea del Conte Danza Esperensa and Pasion y Arte.

http://www.flamencoysol.com/

 

Bárbara Martínez
Bárbara Martínez started performing at the age of eleven. She has performed most recently as a soloist with Gazpacho Andal, Oscar Valero Flamenco Dance Company, Andrea del Conte Danza España, Sol y Sombra Dance Company and Flamenco Sepharad. Bárbara has toured with premier flamenco guitarists Pedro Cortés and Juanito Pascual. In the past year she has sung for Pilar Rioja at the Spanish Repertory Theater and for Marco de Ana at the Joyce Theater, acted in HELL, a theatrical adaptation of Dantes Inferno and danced at Town Hall for the World Music Institute 20th Anniversary Celebration. She has also danced in The Metropolitan Opera in Zeffirellis productions of Carmen and La Traviata and sung in several productions as a member of Children's Chorus. Bárbara recently had the honor of teaching master classes for the Cirque du Soleil.

http://www.barbaramartinez.com

 

Rebecca L. Thomas
Since her arrival to New York City in January, 2006, Rebecca has been performing on the New York City Flamenco circuit at tablaos such as Ñ, Alegrías at La Nacional, Suba, Xunta, Meson Asturias, and Marbella. She has also been working with Oscar Valero’s New York-based Flamenco Company in his production Fuerza, as well as with Carlota Santana’s company “Flamenco Vivo.”

Previous to her time in New York, Rebecca spent her time between Spain and the U.S., performing, teaching, and conducting workshops in both places. As a solo artist in Spain, she worked at various tablaos, including Al Andalus, El Teatrillo, El Juglar, and Las Carboneras, one of the leading tablaos in Madrid. She also worked closely with Flamenco Troupe “La Yedra,” with whom she has appeared in a variety of theaters throughout the Madrid area, including La Plaza de las Artes, Teatro Francisco Rabal (Pinto), and Teatro F. Garcia Lorca (Parla). Under Rebecca’s direction, “La Yedra” did a tour of Upstate New York in the Fall of 2005 and premiered her first original work, entitled “Soñando Flamenco,” which the troupe later presented in Madrid. She has also made recurring appearances at the Danzas Sin Fronteras Summer Festival of World Dances, instructing workshops on Flamenco.

In the U.S., Rebecca has taught Flamenco as an adjunct faculty member for the University of Rochester’s Program of Movement and Dance, for which she continues to do guest workshops and performances. She also continues her position as a contracted artist for Young Audiences of Rochester, performing and teaching the art and culture of Flamenco to children of all ages.

Rebecca has trained at the internationally renowned Flamenco Academy “Amor de Dios” in Madrid, studying under such figures as Manuel Liñan, La China, La Tacha, Manuel Reyes, and María Magdalena. Prior to Madrid, she studied in Granada, at Carmen de las Cuevas and at the Escuela de Danza Española with Maite Galán.


 

Guest Performers

 

Gonzalo Grau
Grau began playing flamenco in 1997, working with flamenco dancer Omayra Amaya and guitarist Pedro Cortes. Since then he has played with some of the most prestigious flamenco artists in the U.S., including Joaquin Encinias, La Conja, Chuscales, Olivia Rojo and Lluvia Flamenca, Rosa Mercedes, El Juco, Susana de Palma and Zorongo Flamenco, among others. Grau began his musical studies at the age of five in his birthplace Caracas, Venezuela, developing skills in many instruments. Grau has recorded over 30 CDs and received a scholarship to Berklee College of Music, from which he graduated Summa Cum Laude as a Piano Performance Major. Gonzalo currently plays with Mango Blue, Aquiles Baez, the Mendez Brothers, Golijob's Saint Marcus Passion, Camerata de Caracas and leads his own project La Timba Loca.

 

Marija Temo

Classical/Flamenco Guitarist, Flamenco Singer/Dancer, and Conductor

Marija Temo, described as a "triple threat", is widely recognized as a virtuoso classical/flamenco guitarist, flamenco vocalist and dancer, and conductor. She actively performs as a soloist with symphony orchestras, in guitar concert series and festivals, and as a flamenco singer/guitar accompanist for flamenco dancers and companies. She has also been featured in unique types of performance, performed for many dignitaries and with highly acclaimed artists, and has also received several awards. In addition to her versatile performance career, she is known for her teaching methods, educational programs, and workshops. Marija Temo plays a "Marija Temo" Model flamenco/classical hybrid TM, which she designed with luthier Tom Rodriguez. Ms. Temo has also received the endorsement of D'Addario Strings.

Ms. Temo is a former faculty member of the Preparatory of the Peabody Institute, Johns Hopkins University, where she founded the Flamenco Guitar Program. She received her Masters degree from the Peabody Conservatory of Music, studying under Manuel Barrueco, and her Bachelors degree from the Baldwin-Wallace College Conservatory of Music, studying under Loris Chobanian. Ms Temo has taken master classes from many great flamenco artists, such as Paco Jarana, El Viejin, and Pedro Cortez, but intensive studies with teachers that have had significant influence include: Marta del Cid, Bruce Catalano, Sophie Ginn-Paster, Teo Morca, and Manolo Leiva.

For more information, see http://marijatemo.com.